How does one define Asia? Culturally, no continent on the planet is arguably more intricate and seemingly incomprehensible than Asia. Where the Western gaze often zooms in on its mysterious and sometimes misunderstood Oriental ethos, sizing up the Asian character or its soul can be a monumental undertaking in light of its ancient history, ageless traditions, and diverse belief systems.
For me, nothing can be more vividly potent in fostering understanding and appreciation of Asia in all its complexity than the portrayal of its people or its societies at large through the camera of its most accomplished filmmakers.
Or, if you’d ask me what’s the most engaging and enriching way—at once entertaining and enlightening—to encapsulate life-and-death issues of Asians or the universality of the Asian experience, let me present my personal list of favorite movies. The stories of its characters and their circumstances—by dint of their creators’ genius and style—have not only disturbed and delighted me in equal measure but also defined for me intuitively the world of Asians. Though arbitrary, my list with its order of preference defines as well my subjective sense of what world-class cinema means.
Needless to say, this list is never definitive, reflecting as it does only the movies that I have seen so far, something that I will remain fond of watching over and over again:
1) The Apu Trilogy: Pather Panchali, Aparajito, & The World of Apu
by Satyajit Ray: India
2) Okuribito (Departures)
by Yōjirō Takita: Japan
3) Tatlong Taong Walang Diyos (Three Years Without God)
by Mario O’ Hara: Philippines
4) Sansho the Bailiff
by Kenji Mizoguchi: Japan
5) Ikiru (To Live)
by Akira Kurosawa: Japan
6) Tokyo Story
by Yasujirō Ozu: Japan
7) Bona
by Lino Brocka: Philippines
8) Himala (Miracle)
by Ishmael Bernal: Philippines
9) The Circle
by Jafar Panahi: Iran
10) Dà Hóng Dēnglóng Gāogāo Guà (Raise the Red Lantern)
by Zhang Yimou: China
11) Maborosi / Maboroshi no Hikari (Phantasmic Light)
by Hirokazu Kore-eda: Japan
12) Madeo (Mother)
by Bong Joon-ho: South Korea
13) City After Dark
by Ishmael Bernal: Philippines
14) The Ballad of Narayama
by Shohei Imamura: Japan
15) Bayaning 3rd World (Third World Hero)
by Mike de Leon: Philippines
16) A Separation
by Asghar Farhadi: Iran
17) Oldboy
by Chan-wook Park: South Korea
18) Tinimbang Ka Ngunit Kulang (You Were Weighed But Found Wanting)
by Lino Brocka: Philippines
19) Zatoichi
by Takeshi Kitano: Japan
20) Hero
by Zhang Yimou: China
Like life, this list shall go on...
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